japonisme

04 October 2011

High Wire Venus


OFF A SIDE ROAD NEAR STAUNTON

Some nothing afternoon,
no one anywhere,

an early autumn stillness in the air,

the kind of empty day you fill
by taking in

the full size of the valley
and its layers leading

slowly to the Blue Ridge, the quality of the country,

if you stand here long enough, you could stay

for, step into, the way a landscape, even on a wall,

pulls you in, one field at a time,
pasture and fall

meadow, high above the harvest, perfect

to the tree line, then spirit clouds and intermittent

sunlight smoky rain riding the tops of the mountains,

though you could walk until it's dark
and not reach those rains --

you could walk the rest of the day into the picture

and not know why,
at any given moment,
you're there.

Stanley Plumley

Stanley Plumly is the author, most recently,
of "Posthumous Keats:
A Personal Biography"
(Norton, 2008).

All rights reserved.

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03 June 2010

more than enough

MORE THAN ENOUGH

The first lily of June opens its red mouth.
All over the sand road where we walk
multiflora rose climbs trees cascading
white or pink blossoms, simple, intense
the scene drifting like colored mist.

The arrowhead is spreading its creamy
clumps of flower and the blackberries
are blooming in the thickets. Season of
joy for the bee. The green will never
again be so green, so purely and lushly





new,
grass lifting its wheaty seedheads
into the wind. Rich fresh wine
of June, we stagger into you smeared
with pollen, overcome as the turtle
laying her eggs in roadside sand.

Marge Piercy

More than Enough copyright © 2003 by Marge Piercy and reprinted from The Paterson Literary Review.

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21 September 2008

I turn to ducks

DUCKS

I

FROM TROUBLES OF the world
——I turn to ducks,
Beautiful comic things
Sleeping or curled
Their heads beneath
white wings
By water cool,
Or finding
curious things
To eat in
various mucks
Beneath the pool,
Tails uppermost, or waddling
Sailor-like on the shores
Of ponds, or paddling
—Left! right! —
with fanlike feet
Which are for steady oars
When they
(white galleys) float
Each bird a boat
Rippling at will the sweet
Wide waterway . . .
When night is fallen you creep
Upstairs,
but drakes and dillies
Nest with pale water-stars,
Moonbeams and shadow bars,
And water-lilies:
Fearful too much to sleep
Since they've no locks
To click against the teeth
Of weasel and fox.
And warm beneath
Are eggs of cloudy green
Whence hungry rats and lean
Would stealthily suck
New life, but for the mien,
The bold ferocious mien
Of the mother-duck.

II

YES, DUCKS ARE valiant things
On nests of twigs and straws,
And ducks are soothy things
And lovely on the lake
When that the
sunlight draws
Thereon their pictures dim
In colours cool.
And when beneath the pool
They dabble,
and when they swim
And make their
rippling rings,
O ducks are beautiful things!

But ducks are
comical things:—
As comical as you.
Quack!
They waddle round, they do.
They eat all sorts of things,
And then they quack.
By barn and stable and stack
They wander at their will,
But if you go too near
They look at you through black
Small topaz-tinted eyes
And wish you ill.
Triangular and clear
They leave their curious track
In mud at the water's edge,
And there amid the sedge
And slime they gobble and peer
Saying “Quack! quack!”

III

WHEN GOD HAD finished the stars and whirl of coloured suns
He turned His mind from big things to fashion
little ones,
Beautiful tiny things (like daisies) He made,
and then
He made the comical ones in case
the minds of men
Should stiffen
and become
Dull, humourless
and glum:
And so forgetful
of their Maker be
As to take even themselves—
quite seriously.
Caterpillars and cats are lively and excellent puns.
All God's jokes are good—
even the practical ones!
And as for the duck, I think God must have smiled a bit
Seeing those bright eyes blink on the day he fashioned it.
And He's probably laughing still at the sound that came out of its bill.

Frederick William Harvey

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29 September 2007

things i didn't know i loved

THINGS I DIDN'T KNOW I LOVED

it's 1962 March 28th
I'm sitting by the window on the Prague-Berlin train
night is falling
I never knew I liked
night descending like a tired bird on a smoky wet plain
I don't like
comparing nightfall to a tired bird

I didn't know I loved the earth
can someone who hasn't worked the earth love it
I've never worked the earth
it must be my only Platonic love

and here I've loved rivers
all this time
whether motionless like this they curl skirting the hills
European hills crowned with chateaus
or whether stretched out flat as far as the eye can see
I know you can't wash in the same river even once
I know the river will bring new lights you'll never see
I know we live slightly longer than a horse but not nearly as long as a crow
I know this has troubled people before
and will trouble those after me
I know all this has been said a thousand times before
and will be said after me

I didn't know I loved the sky
cloudy or clear
the blue vault Andrei studied on his back at Borodino
in prison I translated both volumes of War and Peace into Turkish
I hear voices
not from the blue vault but from the yard
the guards are beating someone again
I didn't know I loved trees
bare beeches near Moscow in Pere- delkino
they come upon me in winter noble and modest
beeches are Russian the way poplars are Turkish
"the poplars of Izmir
losing their leaves. . .
they call me The Knife. . .
lover like a young tree. . .
I blow stately mansions sky-high"
in the Ilgaz woods in 1920 I tied an embroidered linen handkerchief
to a pine bough for luck

I never knew I loved roads
even the asphalt kind
Vera's behind the wheel we're driving from Moscow to the Crimea
Koktebele
formerly "Goktepé ili" in Turkish
the two of us inside a closed box
the world flows past on both sides distant and mute
I was never so close to anyone in my life
bandits stopped me on the red road between Bolu and Geredé
when I was eighteen
apart from my life I didn't have anything in the wagon they could take
and at eighteen our lives are what we value least
I've written this somewhere before
wading through a dark muddy street I'm going to the shadow play
Ramazan night
a paper lantern leading the way
maybe nothing like this ever happened
maybe I read it somewhere an eight-year-old boy
going to the shadow play
Ramazan night in Istanbul holding his grandfather's hand
his grandfather has on a fez and is wearing the fur coat
with a sable collar over his robe
and there's a lantern in the servant's hand
and I can't contain myself for joy
flowers come to mind for some reason
poppies cactuses jonquils
in the jonquil garden in Kadikoy Istanbul I kissed Marika
fresh almonds on her breath
I was seventeen
my heart on a swing touched the sky
I didn't know I loved flowers
friends sent me three red carnations in prison

I just remembered the stars
I love them too
whether I'm floored watching them from below
or whether I'm flying at their side

I have some questions for the cosmonauts
were the stars much bigger
did they look like huge jewels on black velvet
or apricots on orange
did you feel proud to get closer to the stars
I saw color photos of the cosmos in Ogonek magazine now don't
be upset comrades but nonfigurative shall we say or abstract
well some of them looked just like such paintings which is to
say they were terribly figurative and concrete
my heart was in my mouth looking at them
they are our endless desire to grasp things
seeing them I could even think of death and not feel at all sad
I never knew I loved the cosmos

snow flashes in front of my eyes
both heavy wet steady snow and the dry whirling kind
I didn't know I liked snow

I never knew I loved the sun
even when setting cherry-red as now
in Istanbul too it sometimes sets in postcard colors
but you aren't about to paint it that way
I didn't know I loved the sea
except the Sea of Azov
or how much

I didn't know I loved clouds
whether I'm under or up above them
whether they look like giants or shaggy white beasts

moonlight the falsest the most languid the most petit-bourgeois
strikes me
I like it

I didn't know I liked rain
whether it falls like a fine net or splatters against the glass my
heart leaves me tangled up in a net or trapped inside a drop
and takes off for uncharted countries I didn't know I loved
rain but why did I suddenly discover all these passions sitting
by the window on the Prague-Berlin train
is it because I lit my sixth cigarette
one alone could kill me
is it because I'm half dead from thinking about someone back in Moscow
her hair straw-blond eyelashes blue

the train plunges on through the pitch-black night
I never knew I liked the night pitch-black
sparks fly from the engine
I didn't know I loved sparks
I didn't know I loved so many things and I had to wait until sixty
to find it out sitting by the window on the Prague-Berlin train
watching the world disappear as if on a journey of no return

Nazim Hikmet
19 April 1962 Moscow

Translated by Mutlu Konuk and Randy Blasing


From Selected Poetry by Nazim Hikmet. Translation copyright © 1986 by Randy Blasing and Mutlu Konuk.
Reprinted by permission of Persea Books, Inc. 1

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